Pretty Baby Machine Sneak

Review: Irredeemable #12

What is the breath-taking secret of Bette Noir?

Annoying Gaming Habits, and How to Deal with Them

Tabletop roleplaying games, as well as LARPs are exercises in social contracts. Whenever a group of people sit down to play they all have to agree on the system, the arbitration of said system and on hundreds of unspoken rules. Of course, in this hodgepodge system there's always room for someone to start rocking boats, rattling cages and tipping over cows.

Major Spoilers Adventures #35: A Cut Above

Matthew has something to hide in Major Spoilers Adventures #35: A Cut Above.

Comic Casting Couch: The Blue Beetle

It’s that time loyal Spoilerites! The Comic Casting Couch is live, and this week we take a look at a hero who was introduced around the Infinite Crisis, has had his own series, and can be seen all over the DC Universe, The Blue Beetle!

Top Ten Time Travel Movies

We’ve scoured our brains and have come up with a list of our Top Ten Time Traveling movies that end up teaching us a thing or two about our desire to change past events.

Major Spoilers Podcast #186: The Losers

In this issue: A popcorn comic reviewed, Superman owes for damages, and Darkwing Duck is back!?

Review: Batgirl #8

Stephanie Brown has really come into her own as the new Batgirl, but when her old flame shows up, things can either go oh so wrong, or so, so right.

From the Vault: Captain America (1979)

Ahh, the '70's. A time of Afros, bell-bottoms, and in the case of CBS television, attempts at superhero TV shows. This week, we're going to take a look at one of these TV movies, loosely based on WWII hero Captain America. So grab your clear Cap shield and motorcycle helmet and read on!

By: Stephen Schleicher | March 3rd, 2008

Image Comics has slipped us a few pages of art from Kody Chamberlain that can be found in Pretty, Baby, Machine due in stores in May. The three issue mini-series is written by Clark Westerman

“PRETTY, BABY, MACHINE came out of a love for the classic noir films of the 1950s and the startlingly true history of America’s mobsters,” said Westerman. “However, it wasn’t until I saw Kody’s art that the idea really gelled. Seeing the range of his styles blew me away and soon after, we got to work on PRETTY, BABY, MACHINE.”